Jim Dine

Jim Dine 'Shoe (Second State)' Signed, Limited Edition Etching Print

1973

Prefab77 (20th Century) Lick London, circa 2011 Screenprint with spray paint on Somerset Fine Art paper Edition: 1/2 Signed and numbered in ink along lower edge Published by the arti...

Donald Sultan (American, b. 1951) "Fish (From Fruit and Flowers Portfolio)" 1990 Screenprint in colors on Arches 88 paper Pencil initialed, titled, and dated left of image Edition 61...

The sparkling diamond dust background provides the perfect backdrop effect to Pope's luscious lips. Sara Pope (b.1973) Decadence (Pink), 2017 Archival Inkje...

David Gilhooly (1943-2013) De Kooning Take Home Pizza, 1988 10 color lithograph on wove paper Edition 39/60 Signed and dated lower right Editioned and titled lower left Published by ...

Elizabeth Quandt (1922 - 1994) Aries IV: Ram in a Thicket, 1978 Etching on Arches paper Singed and dated in pencil, lower right Edition IX/L (9/50) With artist's embossed stamp to lower center Image 5 1/4in H x 5in L: Sheet 22 1/4in H x 18in L. Unframed. The ram's skull pictured was found entwined in a stand of trees in Mendocino by the artist's grandchild, Timothy Brien Mailliard. The first 25 prints in this edition of 50 are identified by Roman numerals and comprise the portfolio suite...

Takashi Murakami (b. 1962) Flowers Blooming in the Isle of the Dead, 2022 Offset lithograph in colors on smooth wove paper 28 inches (71.1 cm) diameter (sheet) Ed. 102/300 Signed and...

Abraham Munting (1626 – 1683) Naauwkeurige Beschryving der Aardgewassen Leiden and Ultrech, Germany, 1696 Publishers: Pieter vander Aa and Francois Halma Folio, 15 ¼ “ x 10 ¼ “ ...

MATTHAUS MERIAN, the Elder (1593-1650) Der Fruchtbringenden Gesellschaft Nahmen. Frankfurt, 1646. Engraving with Later Hand-Color. 400 Plates. Image Size 4.5” x 5.25” Unframed. ...

Izzy, a charming characterful terrier stands alert, holding her ball in her mouth. Colour etching hand made and printed by the artist. Helen Fay's art for sale online and in our gallery at Wychwood Art. Animals have always been at the heart of my work. I find the form, movement and behaviour of the creatures I draw a source of limitless fascination. I love the idea of them watching me, watching them as I draw. I hope my appreciation of the sentience and character of the animals I draw comes across in my work. Over my career I have drawn everything from primates to penguins, dogs, ostriches and even an echidna. These days dogs are my main focus, mostly because I adore dogs but also because they are such an integral part of life. I am delighted by the theory that humans and dogs co evolved, we wouldn’t be what we are without them and vice versa. I try to pare my images down to a balanced simplicity that directs attention to the subject of the picture. I try to balance the subject and the space it occupies, giving each equal importance. Light is hugely important to my work, I imagine my subject in three dimensions as I draw and the light describes the musculature and texture that gives the drawing it’s presence and grounds it in the picture. I aim to capture a pause, a moment where whatever I draw looks like it could wander off or leap up any minute. My influences include Japanese prints, Chinese and Japanese brush drawing and the European artists who were influenced by Japan. I am really excited by composition, by artists like Bonnard and Leon Spilliaert. I have long been a fan of Munch for his direct mark-making, colour and intensity and at the other end of the spectrum, Hammershoi for his limited palette, sense of space and calm. I am interested in black and white photography and film and have recently discovered and been amazed by the films of Yasujiro Ozu...

This is a striking original antique colored botanical mezzotint and line double page engraving of banana plants, which is finished with hand-coloring. It is entitled "Banana 1. Musa,...

In "Late Night", Frederick Mershimer created a winter scene where Berkeley Place meets Seventh Avenue in Brooklyn's Park Slope. This image, the seventh in t...

Laurent Schkolnyk created this original mezzotint, L' Anais that is signed, titled and numbered #22 in an edition of 30. Since the fruit was so perishable, it became a symbol of lu...